An excellent tut frm gw1 @ austech
A friend of mine who owns several receivers including a DM500 told me he's sick of getting blasted by loud volume when he switches from DM500 to his other equipment. Besides setting up an external amplifier for his Dream, what else can he do?
Approach
This issue gets raised regularly. Z80 kindly contributed DM500 clone schematics and suggested modifying the filter to add gain. The problem with that approach, apart from the considerable difficulty of cutting tracks or lifting leads without causing damage, is you'd need to adjust a bunch of resistors and capacitors. ie you can't change a filter's gain without recalculating the RC networks otherwise the rolloff frequency shifts and you have phase distortion and potential instability or clipping to contend with.
The Dream engineers needed a solution which was cheap and compact. DM500's audio DAC (PCM1725 or WM8761 depending on board revision) has output amplitude proportional to supply voltage. Dream use 3.3V, unlike many older receivers which use 5V, but kept the simple unity gain Sallen-Key filter configuration used by many other receivers rather than employ a larger and more costly multistage one with gain. In short that's why the DM500 is quieter than other receivers.
Just how much quieter? As you can see the DM500s have only one-third the RMS amplitude of Humax, Strong, UEC and Manhattan. That's not the same as one third the loudness, but it's still a very noticeable difference.
The above are AC RMS measurements I made using a Fluke multimeter, Optus C1 TUNE channel's 1kHz -14dbVfs sine audio, 47K load on receiver output, set to maximum volume. It's not an ideal test setup but it answers my question: it shows I need about 0.31/0.122=2.54 times extra gain.
There are several ways to get it. I wanted something that was internal (no extra power supply, cables or dongles hanging off the back), made from parts stocked by local suppliers, easy to build and install, and with reasonable performance - no oscillation or noise problems. I prototyped a filter rework option but in the end decided to keep the existing one and simply add an amplifier at the output. The main advantage of this approach is simple installation: you just need to desolder two resistors and tack on a few wires in easy-to-access positions. Anyone with reasonable soldering skills and a 1mm iron tip should be able to do this without trouble.
Circuit Description
The circuit is shown below. Looking through local supplier catalogs I chose the LM833N op-amp as it's a dual one with decent performance and lower noise than some of the really cheap ones. Audiophiles wouldn't use it but it's on par with most budget audio gear. I've set the gain at 5K6/2K2=2.54.
The full-scale DAC output is 0.62*3.3=2.05Vpp, which means our amplifier output needs 2.05*2.54=5.2V peak to peak swing. As LM833 isn't a rail-to-rail type (they're harder to find locally) it needs 1.5-2V clearance at each rail to avoid distortion. That means we'll need a clean 5.2+2*2V=9V supply. The DM500 has no clean high rails with adequate current so that means an extra regulator is needed. I chose a 7809 rather than LM317 to minimise parts; its TO-220 package is bulkier but space isn't a problem, it's readily available and cheap. By using the inverting amplifier configuration I avoid having to buffer the midrail reference.
As the LM833's 4.5V DC operating point is above the 1.65V of the filter, C116/C117 couldn't be used due to their polarity, hence additional DC blocking capacitors on the amplifier input were necessary. C116/C117 couldn't be reused for output DC blocking either without cutting tracks, so I chose to intercept at R110/R111 and add current limiting resistors at the amplifier.
The schematic doesn't show the RCA audio output jacks, but they're directly in parallel with their respective SCART pins. So the increased volume will be available at the RCA jacks too - you don't need to be using SCART. I focus on SCART only because its connector is the easiest place to attach wires.
Power can be obtained from DM500 12V reservoir capacitor C422. Normally you'd take analog ground from the DAC or filter, not somewhere further back, but in this case the two are quite close on the DM500 ground plane so there's no earth loop problem.
There's no absolute standard output voltage for line level audio, just conventions for different industry segments. You can tweak the amplifier gain if you wish. For slightly higher gain increase the 5K6 to 6K2, but don't go too high or you'll approach the point of clipping. Don't reduce the 2K2 too much or you'll overload the filter and reduce its performance; don't increase the 2K2 above 10K either or you'll needlessly amplify input current noise. I think the given values are about right.
Parts List
A friend of mine who owns several receivers including a DM500 told me he's sick of getting blasted by loud volume when he switches from DM500 to his other equipment. Besides setting up an external amplifier for his Dream, what else can he do?
Approach
This issue gets raised regularly. Z80 kindly contributed DM500 clone schematics and suggested modifying the filter to add gain. The problem with that approach, apart from the considerable difficulty of cutting tracks or lifting leads without causing damage, is you'd need to adjust a bunch of resistors and capacitors. ie you can't change a filter's gain without recalculating the RC networks otherwise the rolloff frequency shifts and you have phase distortion and potential instability or clipping to contend with.
The Dream engineers needed a solution which was cheap and compact. DM500's audio DAC (PCM1725 or WM8761 depending on board revision) has output amplitude proportional to supply voltage. Dream use 3.3V, unlike many older receivers which use 5V, but kept the simple unity gain Sallen-Key filter configuration used by many other receivers rather than employ a larger and more costly multistage one with gain. In short that's why the DM500 is quieter than other receivers.
Just how much quieter? As you can see the DM500s have only one-third the RMS amplitude of Humax, Strong, UEC and Manhattan. That's not the same as one third the loudness, but it's still a very noticeable difference.
The above are AC RMS measurements I made using a Fluke multimeter, Optus C1 TUNE channel's 1kHz -14dbVfs sine audio, 47K load on receiver output, set to maximum volume. It's not an ideal test setup but it answers my question: it shows I need about 0.31/0.122=2.54 times extra gain.
There are several ways to get it. I wanted something that was internal (no extra power supply, cables or dongles hanging off the back), made from parts stocked by local suppliers, easy to build and install, and with reasonable performance - no oscillation or noise problems. I prototyped a filter rework option but in the end decided to keep the existing one and simply add an amplifier at the output. The main advantage of this approach is simple installation: you just need to desolder two resistors and tack on a few wires in easy-to-access positions. Anyone with reasonable soldering skills and a 1mm iron tip should be able to do this without trouble.
Circuit Description
The circuit is shown below. Looking through local supplier catalogs I chose the LM833N op-amp as it's a dual one with decent performance and lower noise than some of the really cheap ones. Audiophiles wouldn't use it but it's on par with most budget audio gear. I've set the gain at 5K6/2K2=2.54.
The full-scale DAC output is 0.62*3.3=2.05Vpp, which means our amplifier output needs 2.05*2.54=5.2V peak to peak swing. As LM833 isn't a rail-to-rail type (they're harder to find locally) it needs 1.5-2V clearance at each rail to avoid distortion. That means we'll need a clean 5.2+2*2V=9V supply. The DM500 has no clean high rails with adequate current so that means an extra regulator is needed. I chose a 7809 rather than LM317 to minimise parts; its TO-220 package is bulkier but space isn't a problem, it's readily available and cheap. By using the inverting amplifier configuration I avoid having to buffer the midrail reference.
As the LM833's 4.5V DC operating point is above the 1.65V of the filter, C116/C117 couldn't be used due to their polarity, hence additional DC blocking capacitors on the amplifier input were necessary. C116/C117 couldn't be reused for output DC blocking either without cutting tracks, so I chose to intercept at R110/R111 and add current limiting resistors at the amplifier.
The schematic doesn't show the RCA audio output jacks, but they're directly in parallel with their respective SCART pins. So the increased volume will be available at the RCA jacks too - you don't need to be using SCART. I focus on SCART only because its connector is the easiest place to attach wires.
Power can be obtained from DM500 12V reservoir capacitor C422. Normally you'd take analog ground from the DAC or filter, not somewhere further back, but in this case the two are quite close on the DM500 ground plane so there's no earth loop problem.
There's no absolute standard output voltage for line level audio, just conventions for different industry segments. You can tweak the amplifier gain if you wish. For slightly higher gain increase the 5K6 to 6K2, but don't go too high or you'll approach the point of clipping. Don't reduce the 2K2 too much or you'll overload the filter and reduce its performance; don't increase the 2K2 above 10K either or you'll needlessly amplify input current noise. I think the given values are about right.
Parts List
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